Workshop (VII)

I recently finished Spiral Geometries, for clarinet and alto saxophone. It's a chaconne/passacaglia on a four-note theme (or one-fourth as many variations on a 16-note theme, depending on how you hear it) and will sound like a significant departure to anyone who has heard any of the pieces I've done recently, including for John Boda: What stays with me II.

Next up, a percussion concerto for John Parks of Florida State. Also, the opera is working its way to the front burner.

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