Greg Sandow posted the first installment of his book on the future of concert musc today. The issues he brings up will be familiar to his readers, as well as to readers of this and other music blogs and publications. I find these questions particularly interesting and in need of answers:
Are performances of classical music very interesting, these days? Are they creative? Surprising? Individual? Why all the emphasis—in program notes, for instance, or music education—on scholarship, history, and technical analysis? If all this is changing (which it is), is it changing fast enough? And what’s our relation—all of us in the classical music world—to contemporary culture? Theater companies do plays by living playwrights; classical musicians, in striking contrast, play music from the past. And, sure, there’s more new classical music played now than there was 10 years ago, but how much of it sounds new? How much of it sounds like the world outside the concert hall, the world we really live in?
I look forward to Greg's exploration of these and other questions.