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| Ruby Diamond Concert Hall at Florida State University; home of the Tallahassee Symphony Orchestra |
- The transition to a new Music Director takes up the musical energy of an Orchestra the size of the TSO for three seasons: the last season of the old MD; the search season; and the first season of the new MD. I'm not saying that it's necessarily bad, just that it is.
- I heard something in the Glass Concerto I had never heard before--the timpani being doubled by the orchestra on a clear melodic line. Very cool, with fancy footwork on the part of the timpanists.
- I've heard the Copland Fanfare dozens of times, as player, conductor, and as audience member. It really is a great, stirring little piece.
- I was too close (fifth row) to see the whole orchestra, but with Ruby Diamond's remodel, I felt like I could hear everything.
- I know I focus on repertoire more than many listeners do, but I imagine some others are as curious as I am about the programming philosophies of the MD candidates. My understanding is that each of the five candidates submitted three programs for their audition, and the Orchestra administration or search committee selected one for performance. (By the way, the names of the members of the Committee were printed in the program. Accountability.) I wonder if the Orchestra might me convinced to release the submitted programs so we can get a larger picture of what these guys (all guys this time, unfortunately) want to play.
- I don't like titled programs. Sorry.
- But I do like programs where the pieces played together seem to be there for a reason. Just don't beat me over the head with a title, which usually doesn't really get at the connections in the music anyway.
- I'm not sure what I think of things like numbers projected on the back wall to point you to a program note about the passage being played at the moment the number is being projected. If it was apparently random numbers or words pulled from nowhere, like "233" or "pie", I might be more enthusiastic.
- I'm also not sure how I feel about live video projections of the conductor conducting. But they were easier to ignore than I thought they would be.
