15.7.08
10.7.08
If I Were a Rich Man
So, when I've won a substantial jackpot from the Florida Lottery, my big project (after assuring that me and mine are never again subject to The Man and his markets) will be to establish, endow, and run an ensemble dedicated to new and recent music.
A Board of Directors would develop an artistic vision and mission along guidelines broadly laid out by me (Hey, it's my unearned wealth!). The centerpiece of the project would be a core group of musicians, with the following instrumentation:
-string quartet (two violins, viola, cello);
-one of each of these wind instruments: flute, clarinet, oboe, bassoon, saxophone, forn, trumpet, trombone, tuba;
-two keyboard players;
-two percussionists;
-one laptop artist; and
-one conductor (I would be Assistant Conductor).
Each performer would receive a full-time salary and benefits (all of which would be open to negotiation), and would be free to teach and to play other gigs, in addition to their strivings as a member of Steve Hicken's MetaMusical Entity (or a better name, if possible).
The endowment also would fund a development officer and a robust publicity operation (including web presence). Outreach programs would target schools and civic organizations, and would include low- and no-price tickets for underserved populations. Tickets would be inexpensive to begin with, as the group would operate in an econmy of abundance rather than one of scarcity. There would be a commissioning component to all of this as well.
The question of home base is an interesting one. The home base should be enough of a music center that the performers could readily find other gigs. At the same time, it should be in an area that is undersupplied with performances of new and recent music. Unfortunately, it won't be hard to find places that meet that requirement.
Anyway, if I were a wealthy man.
A Board of Directors would develop an artistic vision and mission along guidelines broadly laid out by me (Hey, it's my unearned wealth!). The centerpiece of the project would be a core group of musicians, with the following instrumentation:
-string quartet (two violins, viola, cello);
-one of each of these wind instruments: flute, clarinet, oboe, bassoon, saxophone, forn, trumpet, trombone, tuba;
-two keyboard players;
-two percussionists;
-one laptop artist; and
-one conductor (I would be Assistant Conductor).
Each performer would receive a full-time salary and benefits (all of which would be open to negotiation), and would be free to teach and to play other gigs, in addition to their strivings as a member of Steve Hicken's MetaMusical Entity (or a better name, if possible).
The endowment also would fund a development officer and a robust publicity operation (including web presence). Outreach programs would target schools and civic organizations, and would include low- and no-price tickets for underserved populations. Tickets would be inexpensive to begin with, as the group would operate in an econmy of abundance rather than one of scarcity. There would be a commissioning component to all of this as well.
The question of home base is an interesting one. The home base should be enough of a music center that the performers could readily find other gigs. At the same time, it should be in an area that is undersupplied with performances of new and recent music. Unfortunately, it won't be hard to find places that meet that requirement.
Anyway, if I were a wealthy man.
"Why don't you like it?" "Because it sucks."
Joe Queenan holds his breath; turns blue.
Tom Service sends him to his room without dessert.
Gowron says: "Impudent wretch."
Tom Service sends him to his room without dessert.
Gowron says: "Impudent wretch."
4.7.08
The Fourth
Here's a link to last year's Fourth of July post.
And in a change of pace, here's a poem by Elizabeth Bishop, "View of the Capitol from the Library of Congress", which was set by Elliott Carter in A Mirror on Which to Dwell.
View of the Capitol from the Library of Congress
Moving from left to left, the light
is heavy on the Dome, and coarse.
One small lunette turns it aside
and blankly stares off to the side
like a big white old wall-eyed horse.
On the east steps the Air Force Band
in uniforms of Air Force blue
is playing hard and loud, but - queer -
the music doesn't quite come through.
It comes in snatches, dim then keen,
then mute, and yet there is no breeze.
The giant trees stand in between.
I think the trees must intervene,
catching the music in their leaves
like gold-dust, till each big leaf sags.
Unceasingly the little flags
feed their limp stripes into the air,
and the band's efforts vanish there.
Great shades, edge over,
give the music room.
The gathered brasses want to go
boom - boom.
And in a change of pace, here's a poem by Elizabeth Bishop, "View of the Capitol from the Library of Congress", which was set by Elliott Carter in A Mirror on Which to Dwell.
View of the Capitol from the Library of Congress
Moving from left to left, the light
is heavy on the Dome, and coarse.
One small lunette turns it aside
and blankly stares off to the side
like a big white old wall-eyed horse.
On the east steps the Air Force Band
in uniforms of Air Force blue
is playing hard and loud, but - queer -
the music doesn't quite come through.
It comes in snatches, dim then keen,
then mute, and yet there is no breeze.
The giant trees stand in between.
I think the trees must intervene,
catching the music in their leaves
like gold-dust, till each big leaf sags.
Unceasingly the little flags
feed their limp stripes into the air,
and the band's efforts vanish there.
Great shades, edge over,
give the music room.
The gathered brasses want to go
boom - boom.
3.7.08
Subscribe to:
Posts (Atom)