I don't have much technical knowledge of jazz in any of its incarnations, but I do like it quite a bit. I especially enjoy '50s and early '60s era Miles Davis. His various quintets of the period are chamber music of a very high order.
Music critic and fellow High Hat contributor Phil Freeman has just published a book on Davis' later, electric music, Running the Voodoo Down. Here's a very positive review by John Kelman of all about jazz. Mr. Kelman's emphasis on the author's status as a jazz "outsider" (Phil is best known for his reviews of metal) and how that informs both Mr. Freeman's listening and writing offers another hint for those of us who want to expand the audience for concert music. We need to listen with new ears and write with a new mind.
I look forward to reading Running the Voodoo Down and expanding my own appreciation for Miles Davis' remarkable artistry. I want also to acknowledge Jeff Harrington's invaluable new music reblog, where posts about new music are compiled in what amounts to a one stop blogroll, for pointing me to this review.