A. C. Douglas points to this exquisite post by pianist and latest Blogroll inductee Jeremy Denk.
Mr. Denk's post includes some telling analytical comments about the ending of Elliott Carter's Piano Sonata (1945-46). I've commented in the past about the value of analysis for performers and listeners alike, and I wonder what Mr. Douglas, who is less amenable to analytical commentary, thinks of Mr. Denk's analysis.
One more thing. I wonder how the piece of the score included (via photograph) in the post got that way. We're left with a mystery: Does the pedal ever get released?